Month: November 2019

  • November 14, 2019

    Fender music foundation

    Similarly, if you tour or play live a lot, you can consider investing in a nice amp head, so you don’t have to lug a giant amp with you everywhere. If you want to buy a great amp to play classic rock, look for something lightly used and durable. Here are some of my favorite choices for making classic rock music: Let’s try a different strategy. I said you should tune the B string a major third above G, but you could just as easily tune the B string a fifth plus an octave above the low E string. So let’s go ahead and multiply 1 Hz by 3/2, and then double it, which gives you a B at 3 Hz. Now the B string sounds terrific against the low E at 1 Hz and the high E at 4 Hz.
  • November 14, 2019

    Best gangster rappers

    + What are you working on? Share your musical goals with us and we’ll help you reach them. Tell us what you’d like to achieve and learn more about Soundfly Mentorship here. Nicholas Rubright is the founder and editor at Dozmia and the lead guitarist for the band Days Gone By. He has a passion for playing the guitar, writing new songs, and creating awesome blog posts like this one.
  • November 14, 2019

    Chamber music america grants

    Every week, whether on your phone call or in a subsequent email, you should expect in-depth feedback on the activities you’ve done to help guide you in the right direction and closer to your goal. “I Like It”: The intro here begins with a two-bar fade-in of non-loop material — yet even with these two bars, they still decide to keep the whole intro to a tidy eight bars. There’s a nice little post-verse thingy after the second verse. You can spot it by its chromatic walk-down piano motif, four quarter notes a step. This motif comes back for another post-verse that’s simply the title refrain a bunch, and then a half-chorus. Pretty inventive since half-choruses are rare, but here it’s easy to do as the chorus was already written in two parts!
  • November 14, 2019

    New rap songs 2019

    If you’re interested in becoming a content partner, please send articles and inquiries to support(at)soundfly.com! Ethan Hein is a Doctoral Fellow in Music Education at New York University. He teaches music technology, production and education at NYU and Montclair State University. With the NYU Music Experience Design Lab, Ethan has taken a leadership role in the creation of new technologies for learning and expression, most notably the Groove Pizza. He is the instructor of the free Soundfly course series called Theory for Producers. He maintains a widely-followed and influential blog, and has written for various publications, including Slate, Quartz, and NewMusicBox.
  • What I like to do personally is start my morning off by blazing through the most important tasks of my day while my energy and focus are at their peak. This may include sending time-sensitive files to a client, responding to emails, and bouncing stems for a performance. Pushing through my important tasks early gives me time to complete more creative tasks during the rest of the day, such as practicing my instrument, working on new material, and writing with collaborators. Finally, don’t apply blending effects (reverb, chorus, delay) too heavily in the mix as they may stand out much more noticeably after mastering boosts volume and brings out details in the sound.
  • Jeremy is a Montreal-based musician, sound artist and improviser who loves giving advice to emerging artists on how to make their tours more effective. He writes, records and performs electroacoustic “concrète” music for tape, oscillators and amplified objects and surfaces, as well as solo guitar. He has performed and released material throughout Europe and the UK, Asia, the US and Canada, mostly with his trio Sontag Shogun. If we can remember the note names in the Fret 5, as well as the open strings (Fret 0), we’ve already got two places on the guitar to serve as familiar “home bases.” That’s a pretty good start! Now let’s create even more reference points with very little extra effort. We’ll start by looking at the 6th and 5th strings.
  • Soundfly partners with leading edge music education sites and services to bring you unique tips, tools, and stories to empower and inspire our community to find their sound. But there’s more to it than just nostalgia. While audiophile cork-sniffers shout out the virtues of vinyl or lossless FLAC from their rooftops, the humble 128 kbps MP3 is the true MVP of music mediums, the black sheep diamond in the rough with more than swagger and noise floor to go around. Here’s why.
  • Every time the cycle repeats, that low E root is right there to support that downbeat. Notice that it doesn’t have to hit every downbeat of the pattern, but it must hit on that repeated downbeat at the start of the cycle. Funky bass lines emphasize beat one and lay a solid rhythmic foundation. I was thinking about “Clair de Lune” and how strange and complicated the rhythm is. I was humming it to myself and couldn’t figure out where the downbeats were. I have previously used Ableton Live to help me learn a classical piece aurally, so I figured I would do the same thing with this one.
  • November 14, 2019

    Oboe scholarships

    Lauren Hill’s “Ex-Factor” is a timeless song that will always give me goosebumps. I danced around my living room to this song — lip syncing and wishing I was in a music video, wishing I could sing like her. Today there exists another artist, and another song, that encapsulates Lauryn Hill’s soul, but more contemporary, and that’s Lianna La Havas’ song “Green & Gold.” + Join our email magazine, Soundfly Weekly, a weekly review of the best in music learning and inspiration, all focused on helping you learn one new thing a week. In other words, tons more stuff just like this. Sign up here.