When recording acoustic guitars, most of the tone is going to come from the guitar itself, the microphone you chose, and the room you record in. You can find some great-sounding acoustic guitars for under $500 that can easily be used for recording. Pair one of these up with the right microphone and a recording space with great acoustics, and you’re good to go. [*Here are some quick tips on recording acoustic guitars if you need them!] The bass blends well in this mix and grooves solidly throughout the whole song. But one recurring motif that sticks out, perhaps because of the space created by the choppy, Kinks-esque guitar riff, is the simple walk-up to the fifth (an E over the A chord) via the major third and perfect fourth. It happens after the first four chords (which, on their own, actually sound like a rewrite of “You Really Got Me”), and tucks nicely into place as the short D and A guitar chords follow it and carry the end of the measure into the G and C chords of bars 3 and 4. The pattern is repeated over these bars, and basically everywhere else in the song involving the main guitar riff, though East varies it almost every single time with masterful subtlety.