As the company’s beautifully shot and edited video details, vinyl’s dramatic growth over the past 10 years is gravely hindered by a lack of pressing plants with the ability to fulfill the demand. Vinyl production today is expensive and time-consuming, slowing release times and often leaving artists with their backs against a wall. As we can see, these scales are almost identical except for one interval, the Augmented fourth in the F Lydian mode. This note is what I called before “the characteristic note” of that particular mode, the note that gives the F Lydian mode its peculiar sound — its “Lydian-ness” — and the one that differentiates it from sounding like a major scale.
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If you want to know why I didn’t lump the tag in with the bridge here for a tidy eight bars, I’ll tell you. Firstly, it just feels to me like 1+7. And secondly, the chord loop established at the start of the bridge (after the little rest) is repeated without its established fourth chord, making a kind of sneakily soon II-to-ii chord transition to the chorus. Neat. The outro is just a hold on the vi chord, proving once again that modern pop often refuses to end songs on the tonic like you’re supposed to. Whether you’re recording yourself or someone else, you’ll save time in the long run by getting lots and lots of takes. The most obvious reason for this is that musicians typically need a couple of run-throughs to start feeling comfortable and confident. But you also need to give yourself as many options as possible for splicing things together during the editing process, so you don’t have to go back in and record “punch-ins.” Re-recording is a time-waster; recording songs more than once the first time is a life-saver.
Learn about underwater acoustics and how sounds travel in different directions and across far distances via a marine audio highway called the SOFAR Channel. Robinson McClellan is a composer, writer, and teacher. His music has been performed, commissioned, and published widely. He has done artist residencies at MacDowell and Yaddo and earned his doctorate in composition from Yale. He works in product development, user care/feeding, and instructional design for music and education companies. He founded and directs ComposerCraft, a workshop for young composers.