The music fund reviews

  • Dr. Ericsson makes a similar point. Playing the same thing over and over again might feel good without ever really helping you improve at the parts that are giving you the most trouble or mastering how to approach a similar piece next time. This passage was particularly illustrative to me: With his final piece, I think Stefano achieved a really amazing vibrancy and power. The way it climbs the register increases the tension and emotional pull. The monophonic transitions create urgency and more power. And the different treatments of the different sections create a lot of interest and variation. Overall, he created a beautiful piece!” — Ian (Soundfly Mentor)
  • January 4, 2020

    Namm foundation acronym

    Lauren Hill’s “Ex-Factor” is a timeless song that will always give me goosebumps. I danced around my living room to this song — lip syncing and wishing I was in a music video, wishing I could sing like her. Today there exists another artist, and another song, that encapsulates Lauryn Hill’s soul, but more contemporary, and that’s Lianna La Havas’ song “Green & Gold.” “I’ve come to love these awful quality files. In most cases, listening to their lossless versions just doesn’t sound right to me. My 128 kbps version of Mario’s ‘Let Me Love You’ still has the intro skit from the music video attached, hearing the song without it is jarring. With each layer of compression you can practically hear the thousands of others who shared and copied the same MP3, like a destructive digital fingerprint…. I’ve got dozens of tracks like these on my computer still. A 58 kbps copy of Kyuss’ ‘Supa Scoopa and Mighty Scoop’ that sounds like it’s being played through a payphone. A bootlegged CD of Hendrix demos transcoded up from somewhere to 128 kbps.”