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You don’t need a great microphone to sound good. While microphones vary from tens of dollars to tens of thousands of dollars, all of them are completely useless if your recording environment is unsuitable. Go soft or go home (or both!). Soft furnishings are key when it comes to recording voices. Your recording environment is the most important part of any audio content. I spend a lot of time treating badly recorded audio; the better you record at source, the better the audio will sound and the easier it will be to edit.

This happened on my birthday, um, nine years before I was born. Unfortunately, Jackson’s dancing skills were not passed down to me on this of most holy days. The brilliant dancer he was, the King of Pop popularized the Moonwalk on Motown 25 in 1983.

Ithaca is one of those college towns that kind of flies under the radar. Beautiful and serene, this secluded college town can often be seen as too remote, even though smart touring artists would be wise to look into the wealth of upstate New York university towns, including Rochester, Buffalo, and Syracuse. Anyway, Ithaca has earned its stripes well as a destination for touring bands, and for good reason. Among its many venues like The Haunt and The Dock, it’s also home to nonprofit Ithaca Underground, which helps emerging artists of all genres book shows and get their start. Plus, they’re one of the few organizations that put together multi-genre shows, so you can see punk rock, acoustic, and hip-hop all on the same bill.

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I am fascinated by the creative potential of “musical theology,” a pre-Enlightenment relic from the tradition in which J.S. Bach thrived. For Bach and his cronies, music theory was a direct extension and reflection of metaphysical and religious truths. The major chord, three notes in one sound, was the trinity; equal temperament (a practical approximation that detunes each note slightly from the mathematical ratios of just intonation) represented the sinning imperfections of humankind, a musical Fall from God-made purity.

In a nutshell, mastering incorporates all of the audio work done on the master output from a mixed song or album. While originally intended as the mechanical preparation step for putting music into its final media format for playback, mastering later began to include additional post-mixing audio enhancement work in order to optimize the sound specifically for the various intended playback formats (ex: vinyl, CD, digital, etc.).

“I’ve come to love these awful quality files. In most cases, listening to their lossless versions just doesn’t sound right to me. My 128 kbps version of Mario’s ‘Let Me Love You’ still has the intro skit from the music video attached, hearing the song without it is jarring. With each layer of compression you can practically hear the thousands of others who shared and copied the same MP3, like a destructive digital fingerprint…. I’ve got dozens of tracks like these on my computer still. A 58 kbps copy of Kyuss’ ‘Supa Scoopa and Mighty Scoop’ that sounds like it’s being played through a payphone. A bootlegged CD of Hendrix demos transcoded up from somewhere to 128 kbps.”

What’s the one thing (or three or four!) that you do that nobody else does? Describe your band, give a brief history about your work, and highlight your accomplishments. If you don’t have any successes yet, then your goal should be to get your foot in the door of a small local venue, or play in your friends’ living rooms and backyards and set up cameras to capture the show, or do whatever you can to get out there on the circuit. Then build momentum from there.

This progression very eloquently illustrates one of the most basic functionalities of western tonal music — the subdominant (IV chord – G), moving to the dominant (V chord – A), and resolving to the tonic (I chord – D). This is a sound that transcends all genre barriers and ties tons of music together. We can find a very rich body of work in this sound throughout history, from classical music, to much folk music, to contemporary pop hits of each generation.

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You knew this was coming. But you know what, we’re proud of our humble blog, Flypaper. Here you can read about almost every single aspect of music-making, as well as deep dives into music history, production tutorials, interviews, photo essays, tour diaries, etc., and from literally the best music writers on the planet! And if you really want to keep up to date, make sure to sign up for our weekly newsletter, the Soundfly Weekly, and learn something new every Tuesday without leaving your inbox.

ADHD’s Leveling Tool is a tube compression emulation in the style of the LA-2A compressor, an analog studio classic for compressing vocals due to its subtle, slow gain reduction and overall transparent sound. But I find that it also sounds great when used on mix elements such as bass and keyboards. The ADHD Leveling Tool tames instrument peaks and adds colorful character with its emulated tube drive. The release and attack time can be adjusted to suit your needs, which adds to this compressor’s versatility.

There is an exception, and that is the Locrian mode. This mode is a minor mode but it has two different notes from its parallel B minor: C (minor second) instead of C# and F (diminished fifth) instead of F#.

Pope Joy Hall houses many international acts. It’s the one place where you can see Irish dance, A Tribute to the Beatles, The Book of Mormon, or solo Jack White all under the same roof. Put it simply: The acts that perform here are usually world renowned and worth the ticket price.

I also enjoy the version from Morimur performed by Christoph Poppen and the Hilliard Ensemble, and I’m not alone. This is one of the most popular classical albums of all time.