“If you want the piece to be a lament over someone’s death, then you will really tear into that… It doesn’t matter that it wasn’t really true then and it doesn’t matter if the code theory is dumb.”
Next, I’m raising the white flag at these two choruses. At first I just wanted to label them “title refrains” because there’s different material happening after them, but on the other hand, the second half of the choruses are the same, so you kinda have to go back to chorus over refrain.
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Diggers Factory is an online vinyl pre-order and production service built like a crowdfunding platform and with an international network of digital “crate-diggers” to back it up. Founder Alexis Castiel actually calls it “a community platform,” as it offers fans and professionals a chance to work together to make exciting projects come to life. Their mission is to help artists never waste another penny on costly vinyl production.
Modes and Key Signatures have a variety of different characteristics and are great for outside-the-box songwriting. Here’s a cheat sheet to remember them!
One thing you’ll realize about the first three points, including this one, is the importance of aggregating the people who liked your band live so that you can convert them to active members of your fan base.
Looking to build confidence and muscle memory when playing the guitar? Look no further! These practice tips will help you gain dexterity and fluidity fast.
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Valhalla is known for its digital reverbs and delays that pay homage to digital reverbs of the late 1970s and early ’80s, and otherworldly algorithmic reverbs that sounded huge and atmospheric. The Valhalla Frequency Echo is a combination of a vintage echo delay and a frequency shifter, giving you sonic results that “range from subtle chorusing and double tracking to barber pole phasing and flanging to endless glissandos and runaway echos.” Whether you’re putting mono or stereo signal in, it converts to a stereo signal out.
And so, with our eleventh edition of the Student Spotlight series, highlighting the brilliant work of Soundfly alumni created in our courses and Headliners Club mentorship sessions, we humbly offer up some new music for your favorite summer playlist.
Martin hopes to help all of his students tangibly further themselves as musicians, as well as meeting the goals of the course. He says the most important advice he ever got was to only speak when you have something to say — a lesson he applies to music.
Dub music producers like King Tubby and Lee “Scratch” Perry played the Space Echo almost as if it were its own instrument. On Augustus Pablo’s song “555 Dub Street,” Lee Perry uses the Space Echo on the melodica and turns what most consider a harsh, uninviting instrument into something lush and layered.
We look at Ligeti’s famous composition in order to decide how much, or how little, the use of music’s foundational parameters really matter in composing.