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Music is such a volatile and unpredictable market. You never know when a song will take off or not. Why risk taking a one-time work-for-hire fee for a few hundred dollars when you can have X% ownership? Owning and registering a publishing percentage ensures fair compensation if the release sells well. (For a quick crash course on royalties, rights, and publishing, check out our free course, How to Get All the Royalties You Never Knew Existed.)

When we were just getting started, we worked with American artists like the Flashbulb and French hip-hop producer Kacem Wapalek. We also reissued the debut album by French house producer Bob Sinclar, Paradise, released in 1995 on Yellow Productions, and we teamed-up with labels such as Tru Thoughts and Einmusika Recordings.

Apple Music for Artists allows musicians to see their stats across both Apple Music and iTunes. The platform is still in beta as of this writing, though, so unfortunately it’s not open to all artists just yet. In the meantime, you can sign up here to reserve your spot.

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And Ischi really did have the chops! Check out this live performance from 1983, where he sings one of Lang’s own classic tunes, “Mein Vater Ist Ein Appenzeller.”

It may sound corny or cliché, it may sound like bad advice at first, but “fake it til you make it” is one of the core tennets of visualizing your success.

Filippo Faustini is a guitarist and producer based in London. He graduated in Modern Guitar at the Conservatoire in Frosinone (Italy) and then he completed an MA in Composition for Moving Images at City University (London). He is the guitarist and producer for the London-based alt rock/ambient band, Alice in the Cruel Sea. Filippo is also the co-founder of a recently formed music production company called Music Brewery where he works as producer and mixing engineer. 

Remember when Jay Z got some celebs and artists like Marina Abramovich, Alan Cumming, and Jim Jarmusch together which a bunch of very lucky fans to film “Picasso Baby: A Performance Art Film” at the PACE Gallery in 2013? Jay Z set out with the stated intention of bringing the arts back together with hip-hop, in a way they had been when Fab 5 Freddy and Madonna were hanging out with Basquiat. But didn’t it feel kind of… forced?

If you are still unsure if your mix is ready for mastering, send it to the mastering engineer and ask their opinion. Any professional engineer will be able to help you catch potential issues in your sound and give you advice on how to address them within your mix to ensure best possible final results for your mastered song.

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“…underneath the faded canopy of the bland mainstream lies a multiverse of challenging, engaging, explorative, enlivening work which I would say is the real ‘music of now,’ and which I love deeply.”

The nearly 11-minute version of “Lost Someone” is a high point; Brown demonstrates his ability to ensconce his sexuality in a preacher’s cloak. Throughout this song, it feels like he’s beseeching the audience to believe in a higher power. Judging by the screams of the audience, I’d say he converted all of them. This style of performance would later go on to be emulated by other larger-than-life performers such as Prince or Bruce Springsteen.

Think of a narrative like a story you might read in a book. It should let people into your world and show your vulnerable and emotional side. People have been telling stories since the beginning of civilization. It’s how we learned to communicate and create culture, and being able to describe your story in a relatable way that fans can really latch onto is almost as important as being able to describe your music.

When you make a duplicate or slight adjustment to a version of the track, you can then add that to the label, as Bricks_LessBass_04.04.19 or Bricks_Mix3a_04.04.19.

In fact, when used correctly, it brings a desired effect to the music that the rhythmic pulse is deviating between duple and triple meter, moving forwards and backwards at the same time, syncopating to activate your dance muscles.