We must realize that Ligeti was working in the Hungary, in (almost) total isolation from the rest of the continent, where Schoenberg, Berg, Webern, and later Boulez and Stockhausen were using serial techniques to find a way to detach modern music from the “tyranny” of the Western tonal system. Ligeti approached the same problem from an apparently antithetical standpoint (using one note instead of a fixed series of twelve pitches), yet focusing on the other parameters of music in order to create direction and growth. “Find a Music Row lender, someone with offices on Music Row. There are all kinds of things they can do to massage the loan to make it work, and they deal with industry people every day. If you walk into a typical bank and talk about royalties and advances, their eyes will glaze over.”
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Jeremy is a Montreal-based musician, sound artist and improviser who loves giving advice to emerging artists on how to make their tours more effective. He writes, records and performs electroacoustic “concrète” music for tape, oscillators and amplified objects and surfaces, as well as solo guitar. He has performed and released material throughout Europe and the UK, Asia, the US and Canada, mostly with his trio Sontag Shogun. If we can remember the note names in the Fret 5, as well as the open strings (Fret 0), we’ve already got two places on the guitar to serve as familiar “home bases.” That’s a pretty good start! Now let’s create even more reference points with very little extra effort. We’ll start by looking at the 6th and 5th strings.