“Fat Lip” is an example of what used to be a mainstream genre: pop/punk. It is, unfortunately, no longer mainstream. I freakin’ loved Sum 41. I had a huge crush on their bass player. Anyway, there’s not much in here now that gives me the same angry catharsis. We all have friends who spend more time in their virtual worlds, and video games have some pretty interesting soundtracks to keep players coming back. Many songwriters have been quite successful in creating music for video games. Kotaku, the popular gaming site, profiles artists already composing for games, and ASCAP has created a FAQ about how music licensing works when it comes to video games.
International teaching fellowship
Every time the cycle repeats, that low E root is right there to support that downbeat. Notice that it doesn’t have to hit every downbeat of the pattern, but it must hit on that repeated downbeat at the start of the cycle. Funky bass lines emphasize beat one and lay a solid rhythmic foundation. I was thinking about “Clair de Lune” and how strange and complicated the rhythm is. I was humming it to myself and couldn’t figure out where the downbeats were. I have previously used Ableton Live to help me learn a classical piece aurally, so I figured I would do the same thing with this one.